Showing posts with label article. Show all posts
Showing posts with label article. Show all posts

Sunday, September 27, 2009

The Two Columns of Shirat Haazinu

The Mitzva of writing a Sefer Torah comes from this past week's Parsha, Haazinu. In the preceding Parsha, G-d says to Moshe that the Jews should "write this song", in a reference to Haazinu, one of the Torah's two songs (the other one is Az Yashir). Although the commandment refers only to Haazinu the commentators note that it's prohibited to divide the Torah and write it in a form of "megillot, megillot" i.e. in fragments, since all the Torah is one. So the commentators all conclude that the commandment must have been to write the whole Torah, which will contain the song of Haazinu.

This highlights how important this intricate song is in relation to the whole Torah.

Also aesthetically, Haazinu stands out with its special two-column layout. In the modern Torahs, the two columns are perfectly even, like two towers, and usually are two pages long. I wanted to post a picture of the whole thing but I only found this one:

We find the same layout in the Megillat Esther, in which the ten sons of Haman are listed in the same fashion. Like in Haazinu, most sofrim (not me!) stretch the letters so every column will start and end in the same place:


But if you look in the old Torahs and in the Torahs of the Yemenite Jews you will see that the columns there aren't uniform at all. Below is a picture from a Yemenite tikkun:



I guess the Ashkenazi sofrim took the liberty to strectch the lines in order to make the scrolls look nicer, on the grounds of "zeh keli veanveiu".

But there's another thing that really puzzled me. Aside from the layout, the Yemenite scrolls also differ in the actual poem structure and that's the real reason why their columns aren't simetrical - there are less lines and thus some of the lines are longer.

For instance, look in the 17th line in the above picture, "zechor yemot olam.." - this is a long line. In the Ashkenzai scrolls this long line is divided in two, enabling our sofrim to justify the lines. Now that's odd! There are two other places where there's a difference in the poem structure but I will leave it for you to figure it out.

Which is the right structure?

That's where the Aleppo Codex comes to the scene. This is a topic for another post, but it suffices to say that the Aleppo Codex, guarded by the Aleppo Jews until 1948, is the most accurate Tikkun ever. Unfortunately, this Tikkun only covers the Nach; the Torah pages were mysteriously lost in a Arab riot in Aleppo. That is, all the Torah pages were lost besides..... that's right, the pages of Shirat Haazinu! And if you guessed that the Yemenite scrolls are identical to it, you are right. I got this image from the Aleppo Codex website:


This would imply that the Ahskenazi structure of Shirat Hazinu is problematic. Halacha says that if there's a pause (parsha setuma or petucha) in a wrong place, this will invalidate a Sefer Torah. If the Ashkenazi scrolls have a different poem structure, some of the open spaces are in the wrong place!

The answer is simple: the open spaces in Shirat Haazinu (and Az Yashir) are not open and separate Parshas, but a special layout of a song. The halachot of Parsha Petucha and Setuma don't apply here and whatever layout you have - Yemenite or Ashkenazi - will be Kosher for all intents and purposes. So although it's clear that the Yemenite arrangement is more reliable, you should not start complaining about our modern-day structure.

This is the story of the layout of Shirat Haazinu. I hope you enjoyed and I wish you a Gmar Hatima Tova!

Tuesday, June 23, 2009

Jewish Week Article

Here's a great article from the Jewish Week, pointed out by Lion of Zion (don't miss the post discussion there).

"A Safer Torah

At the Plainview Jewish Center, the congregation’s 14 Torah scrolls were recently unrolled and examined by three Torah scribes while congregants milled around.

We were evaluating the Torahs, repairing some and registering those that had not been previously registered,” explained Zerach Greenfield, executive director of Machon Ot, a nonprofit Torah registry organization with offices in College Point, Queens, and Jerusalem.

The organization was created nearly 20 years ago at the behest of Interpol and the Israeli police department after the discovery of 65 stolen Torahs hidden behind a false wall in Rosh Ha’ayin, Israel, Greenfield said.

Since then, registration of sifrei Torah has gained increased acceptance. Greenfield pointed out that the eight Torahs in the main sanctuary of the Jewish Center of Kew Gardens Hills were stolen last year. The custodian was later arrested and charged with the theft, and the scrolls were recovered.


Greenfield said those Torahs were registered with Machon Ot (Institute of the Letter) and could have easily been identified if a question had arisen about their ownership.


The International Torah Registry uses pin marks to identify Torahs, but Greenfield said Machon Ot developed two other “far more sophisticated” methods of identification.


The first involves making a transparency of a randomly chosen column of the Torah; because each Torah is written by hand, no two columns are identical. Transparencies can be placed over the column to see if the letters line up. The second method involves scanning a column and drawing an invisible vertical line on a template to see which letters cross that line when measured from the end of the line, creating a unique pattern.


Lacking identification marks, there is no way to identify stolen Torahs and return them to their owners.

Greenfield said sofrim, or scribes, are often the very people who steal and try to resell the scrolls. Therefore, he said, an identification method that these men could not circumvent was needed. That ruled out invisible ink, embossed stamps and code markings.

Rabbi Ronald Androphy, spiritual leader of the East Meadow Jewish Center, said Machon Ot registered his congregation’s nine Torahs, evaluated them to check for discoloration, and repaired letters that had become difficult to read. The registration, evaluation and repair cost a total of $30,000, he said.


In the past, Rabbi Androphy said he would call a sofer when there was a problem with a Torah. And he said that more than 20 years ago he sought to register the Torahs with the Universal registration with its pin code but found the kit he was sent “very difficult to do.”


“We never followed through with it,” he said.


Now, his Torahs are not only registered with Machon Ot but repaired by it, Rabbi Androphy said, noting that Machon Ot once took two of his congregation’s Torahs to its Jerusalem office for repair.

“Torahs deteriorate naturally,” he said, adding that Machon Ot scribes have returned at no additional charge to fix letters in those Torahs when the ink later cracked.

Although Machon Ot helps synagogues interested in commissioning the writing of a new Torah as a fundraising project, Greenfield said the economic downturn has caused more synagogues to hold fundraisers to repair their Torahs.


Machon Ot began registering Torahs worldwide in 1990. It now has a database of 14,000 registered Torahs and registers about 400 to 500 each year.


“The goal is 30,000 because that would be a critical mass that would make someone believe he would get caught if he tried stealing a Torah and then selling it,” Greenfield said.


As part of its evaluation of each Torah, he said, Machon Ot scribes determine what it would cost to replace it. Such an appraisal is required by major insurance companies in Israel and is helpful for synagogues and others in the United States so that they don’t over insure their Torahs.
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